Sudarshan
Suwal comes from a family of artists. He
began studying painting at age 12, receiving
most of his training from his grandfather,
a master of Newari Buddhist style of classical
painting. His grandfather was a tantric
practitioner, so Sudarshan’s education
included instruction in meditation, mantra
and visualization, as well as drawing, making
pigments, and painting. He began by painting
simple figures, like the Buddha, Ganesh
and Saraswati, and eventually progressed
to more complex subjects.
Classical paintings in the Newari tradition
are called paubha, although they are more
commonly known by their Tibetan name, thangkas.
For centuries, thangkas were painted using
natural pigments made from vegetable and
mineral sources. With the recent popularity
of chemical pigments, the classical tradition
is in danger, as there are only a handful
of artists painting today who use the classical
techniques.
For many generations,
Sudarshan’s family has carefully guarded
the techniques for making mineral pigments:
which minerals to use, how to select them,
and how to prepare them for painting. That
knowledge was considered sacred, to be handed
down only within the family line. Only recently
has Sudarshan begun to share the technique
with outsiders. He has started teaching
in the hope that sharing the knowledge will
help to preserve the tradition. He is giving
instruction only to students who are spiritual
practitioners, as he believes that devotion
to the dharma is essential for a thangka
painter.
Sudarshan
is recognized as one of the finest traditional
painters in Nepal. He has won prizes in
national competitions, and his work has
been exhibited at solo shows in Nepal and
in Denmark. In 2001, he was invited to teach
at Sechen Monastery in Bhutan. He has worked
on wall paintings in the Vasundhara Temple
at Swayambhu. He also worked on decorative
wall paintings for the set of Little Buddha.
Sudarshan
was born in 1963 and grew up in the heart
of Kathmandu, not far from Durbar Square.
He learned a lot of his English from the
hippies who visited Freak Street in the
1960’s and 70’s. He now lives
and works in Patan.
Sudarshan’s paintings
demonstrate the beauty of natural pigments.
The colors in his work are vibrant, with a
freshness and intensity that chemical pigments
cannot reproduce. Sudarshan has painted over
550 thangkas so far, including a 12 foot by
8 foot mandala of the sun god, Surya, that
took up the entire floor space in his small
studio. He has done work for the commercial
market as well as commissions for private
collectors, including Nityananda Institute
Nepal. His spectacular painting of Siddhi
Lakshmi hangs in the meditation room in Nityananda
Institute’s Portland ashram, and a number
of his other works are displayed at the Nityananda
Institute Nepal center. Awards
Conferred
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